Holly Gibney, one of Stephen King’s most compelling and ingeniously resourceful characters, returns in this thrilling novel to solve the gruesome truth behind multiple disappearances in a midwestern town.

“Sometimes the universe throws you a rope.” —BILL HODGES

Stephen King’s Holly marks the triumphant return of beloved King character Holly Gibney. Readers have witnessed Holly’s gradual transformation from a shy (but also brave and ethical) recluse in Mr. Mercedes to Bill Hodges’s partner in Finders Keepers to a full-fledged, smart, and occasionally tough private detective in The Outsider. In King’s new novel, Holly is on her own, and up against a pair of unimaginably depraved and brilliantly disguised adversaries.

When Penny Dahl calls the Finders Keepers detective agency hoping for help locating her missing daughter, Holly is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just died. And Holly is meant to be on leave. But something in Penny Dahl’s desperate voice makes it impossible for Holly to turn her down.

Mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. They are the picture of bourgeois respectability: married octogenarians, devoted to each other, and semi-retired lifelong academics. But they are harboring an unholy secret in the basement of their well-kept, book-lined home, one that may be related to Bonnie’s disappearance. And it will prove nearly impossible to discover what they are up to: they are savvy, they are patient, and they are ruthless.

Holly must summon all her formidable talents to outthink and outmaneuver the shockingly twisted professors in this chilling new masterwork from Stephen King.

“I could never let Holly Gibney go. She was supposed to be a walk-on character in Mr. Mercedes and she just kind of stole the book and stole my heart. Holly is all her.” —STEPHEN KING

Review

“A deadly folie a deux…[Holly] pursues this case to the gates of hell, figuratively—there’s no supernatural element in this powerful exploration of grief and delusion, just pure, undistilled evil.” —New York Magazine

“Deliciously, darkly comical. I’m all in on Holly.” —Neil McRobert, Talking Scared

“Holly Gibney steps into the spotlight [and] takes center stage at last…Holly’s complexity and relatability make her an endlessly fascinating protagonist.” —BookPage

“King eschews the supernatural here but finds all the horror possible in the evil that ‘normal’ people may do…readers will find much to love.” —Library Journal

“Chilling.” —AARP

“In her new leading role, Holly shines. She’s tough, relentless, and compassionate while at the same time being vulnerable and prone to lapses of confidence. The story is the kind of thing King excels at, too—dark, mysterious, and deeply unsettling. This is the novel Holly deserves.” —Booklist

“A tour de force. Creepy as hell but full of heart, too.” —Linwood Barclay, #1 internationally bestselling author of Take Your Breath Away and Look Both Ways

A crumpled five-dollar bill, a ticket to San Francisco, a legal document terminating a marriage lost long ago in angry words— These were all she had. But between today and tomorrow a strange thing happened. She had a chance to build a whole new life, a life based on a lie.

Joey had read all the psychological thrillers — but he never dreamed he’d get personally involved...

This strikingly original love story deals with the disintegration of a marriage, a breakdown which occurred against the wishes of its principals and in spite of their good intentions. Martha Pearson, the central figure, is a young woman of character, whose goodness seemed almost forbidding at times. In the midst of serious difficulties with her husband, Charles, she was resolved to be faithful to him, to make something of the partnership on which he seemed to depend so completely. Then Charles went away for a while to mend his health and for the first time in years Martha had the opportunity to assess her life. In the crisis precipitated by the return of her first lover, she found that her marriage had come very near to cutting her off from the sources of happiness. She found also that a happiness once lost can he recovered only partly and on difficult terms.

Experiment in Springtime presents with mature technique the subtly dramatic interplay of three modern personalities at a turning point in their lives. The psychological accuracy and depth, the unflinching honesty, for which its author is already known are here applied to a more serious and fascinating problem than Margaret Millar has previously attempted. The result is a novel of extraordinary interest and truth. It will establish a brilliant mystery writer as one of the most promising of our younger novelists.

One rainy night, the unthinkable happens: Dylan Moran’s car plunges off the road into a raging river, his beautiful wife drowning as he struggles to shore.

In the aftermath, through his grief, Dylan experiences sudden, strange visions: wherever he goes, he’s haunted by glimpses of himself. Dylan initially chalks it up to trauma, but that changes when he runs into a psychiatrist who claims he’s her patient. She says he has been undergoing a unique hypnotherapy treatment built on the idea that with every choice, he creates an infinite number of parallel universes.

Now those parallel universes are unlocked — and Dylan’s doppelgänger has staked a claim to his world. Can Dylan use these alternate realities to get a second chance at the life that was stolen from him? Or will he lose himself...  to himself?

One chance in 7,000,000 of getting away! Four hours to make good their escape! She had not the courage to go without him. He cannot go until he finds the person who committed the murder which can so “circumstantially” be traced to his door. And that person was one of 7,000,000 in New York City.

Bricky, the small town girl, meets Quinn, a boy from her own Iowa town, a day too late. The long arm of coincidence brings them happily together — two lost “little” people in the vast city. The long arm of retribution reaches out to separate them forever.

When Quinn, at Bricky’s behest, so that as free people they can take the morning bus back to Iowa, goes to return some money he has just stolen, he finds a dead man in the house. They spend the rest of the night finding the murderer. If they don’t the police will find Quinn!

The story of the night’s adventure is fast moving and tense, building constantly to almost unbearable excitement.

A crumpled five-dollar bill, a ticket to San Francisco, a legal document terminating a marriage lost long ago in angry words— These were all she had. But between today and tomorrow a strange thing happened. She had a chance to build a whole new life, a life based on a lie.

In depths of despair, the beautiful, lonely Madeline contemplates suicide. She gently strokes an ugly revolver, the sole legacy of an alcoholic father. Holding the barrel to her temple, she pulls the trigger. There is only the click of the hammer on an empty chamber.

The failure of the weapon brings on a rush of joy, and renewed hope for her future. She throws down the gun — and it explodes with deadly fury. The bullet strikes an innocent young woman passing in the street outside, who in the next moment dies in Madeline’s arms.

So begins Into the Night, the quintessential Cornell Woolrich novel, never before published. Although Woolrich worked on it for years, this tale of hatred and passion, of love and suspense, remained unfinished at the time of his death. This undiscovered masterpiece has been completed by Lawrence Block — one of today’s most distinguished mystery writers — to create a work which will stand beside Woolrich’s Rear Window, Phantom Lady, and The Bride Wore Black.