Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America: Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors...

A simple case of blackmail gets lethally complicated when “Nameless,” Bill Pronzini’s seasoned private-eye, exposes a nasty scam that involves junior accounts executive Jay Cohalan, his unhappy wife, and a mistress with a serious drug problem. It’s the kind of case “Nameless” likes, because bleeders — the blackmailers, extortionists, small-time grifters, and other opportunists who prey on the weak and gullible — sit near the top of his most-worthless-human-beings list. So he contemplates with pleasure the prospect of putting another one or two of these parasites out of commission, and then returning the $75,000 in cash to its rightful owner.

“Nameless” discovers, though, that he is not going to be able so easily to close his Cohalan file — not when he finds his client face down in the middle of a four-poster bed with a bloody, powder-scorched hole behind the right ear. And only by a hair’s breadth does “Nameless” himself escape a similar fate. Aggrieved, cut to the psychological quick by his close brush with death, “Nameless” embarks on a relentless hunt for his unknown assailant in San Francisco’s shadowy underworld. There he encounters bleeders of every ilk — like the loan shark Nick Kinsella, drug dealer Jackie Spoons, punch-drunk boxer Zeke Mayjack, and crankhead Charlie Bright — before he tracks down his quarry.

At a deserted backcountry road stop “Nameless,” packing his long-unused .38, attends to the last of a bad business and, in a climax as powerful as it is unexpected, finally confronts his own demons. He maybe even conquers them.

A unique conception in suspense novels, TWOSPOT combines the talents of two popular San Francisco-based detectives, Bill Pronzini’s “Nameless” private eye and Collin Wilcox’s Lieutenant Frank Hastings, on a case of murder and bizarre conspiracy surrounding an old California winemaking family.

When “Nameless” is hired by Alex Cappellani, whose family owns the Cappellani Winery in the Napa Valley, it seems at first to be a routine matter. Alex is concerned that his mother, Rosa, may be romantically involved with an enologist she has hired named Jason Booker; he wants the detective to investigate Booker’s background for proof that the man is a fortune hunter. But soon a series of surprising twists take the case in an entirely different direction. For no apparent reason Alex is attacked and almost killed at the winery; “Nameless” himself is assaulted. And then, in San Francisco, there is sudden and violent death.

Lieutenant Hastings is called in and confronted with a long list of suspects that includes Alex’s autocratic brother, Leo; Paul Rosten, the winemaker who has been with the family for decades; Shelly Jackson, Logan Dockstetter and Philip Brand, all of whom work at the winery’s business office in San Francisco; and Alex himself. A slip of paper signed with the cryptic name “Twospot,” and the shadowy presence of a hoodlum, further complicate matters — and eventually lead to another attempted murder and a chilling gun battle on San Francisco’s Telegraph Hill.

As “Nameless” and Hastings delve deeper into the web of violence and mystery, working together and separately in the Napa Valley and in San Francisco, the truth begins slowly to unfold. And if is a truth of shocking magnitude which foreshadows a climax as frightening as it is harrowing.

Told in alternate sections through the eyes of the two protagonists, TWOSPOT is a compelling novel filled with the same tension, atmosphere, and power which have earned each of the authors a high ranking among contemporary suspense novelists.

It’s a lazy mid-August Sunday afternoon. The “Nameless Detective” and his old friend Lieutenant Eberhardt are relaxing on the patio, drinking beer and shooting the breeze, when the doorbell rings. As Eberhardt answers the door, Nameless hears two sharp echoing reports — gunshots; they could only be gunshots. Rushing into the house, Nameless glimpses the bloody body of his friend sprawled on the floor — just before he feels a bullet strike his own chest.

While Eberhardt lies in a coma, Nameless is released from the hospital and hits the San Francisco streets, determined to track down the gunman. Facing the toughest case of his career, Nameless doggedly pursues the secret behind his friend’s shooting — only to find himself plunged into an action-packed intrigue involving murder, bribery, violence, and the forces of organized crime in San Francisco’s Chinatown.

The inimitable Nameless Detective, an overweight private eye of Italian descent with a penchant for pulp magazines, is in top form in this gripping, fast-paced tale.

The ninth in the “Nameless Detective” series and one of Pronzini’s most suspenseful mysteries to date, Dragofire is sure to please his ever-growing number of fans.

One of the true masters of the short story, Bill Pronzini delights in thrilling, mystifying, amusing and terrifying his readers as the spirit moves him. In this collection, you’ll find virtually every kind of crime story there is. There’s stolen gold on a passenger ship for “Fergus O’Hara, Detective” and his wife, Hattie, to investigate, and untraceable money to tempt vice cops in “Opportunity.”

In “Chip,” a mob boss must deal with his problem son, and in “One of Those Cases,” the nameless Detective’s assignment to follow a client’s husband leads to murder. A hack paperback writer who’s never had an idea of his own has “A Craving for Originality.”

In “Quicker than the Eye,” a department store magician must help solve an impossible murder and the theft of a very valuable stamp. And when the traveling medicine wagon comes to town, an “Angel of Mercy” offers girls “in trouble” a sympathetic ear and a cure which might be worse than the disease.

A varied collection of stories by Shamus Award-winner Bill Pronzini.

Rich in character, incident, and exceptional storytelling, this collection of Oddments is the best evidence of why the Private Eye Writers of America honored Bill Pronzini with their Lifetime Achievement Award. The fourteen selections include “The Highbinders,” where 1890’s detectives Quincannon and Carpenter venture deep into Chinatown’s opium dens to solve the murder of a client. And a man gets involved in the “Wishful Thinking” of his neighbor, who has a habit of confessing to killing his wife.

Trailing suspense from the depths of the ocean to the planet Venus and on to Death Row. Pronzini rounds out the collection with a trio of twisty tales: A penchant for a harmless bar game called “Liar’s Dice” leads to danger for the narrator: an incorrigible prankster plays the ultimate joke in “The Dispatching of George Ferris,” only to find the joke is on him: and the Nameless Detective manages to turn the tables on a blackmailer in “The Big Bite.”

What are the ingredients of a hard-boiled detective story? “Savagery, style, sophistication, sleuthing, and sex,” said Ellery Queen. Often a desperate blond, a jealous husband, and, of course, a tough-but-tender P.I. the likes of Sam Spade or Philip Marlowe. Perhaps Raymond Chandler summed it up best in his description of Dashiell Hammett’s style: “Hammett gave murder back to the kind of people that commit it... He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes.” Hard-Boiled: An Anthology of American Crime Stories is the largest and most comprehensive collection of its kind, with over half of the stories never published before in book form. Included are thirty-six sublimely suspenseful stories that chronicle the evolution of this quintessentially American art form, from its earliest beginnings during the golden age of the legendary pulp magazine Black Mask in the 1920s, to the arrival of the tough digest Manhunt in the 1950s, and finally leading up to present-day hard-boiled stories by such writers as James Ellroy. Here are eight decades worth of the best writing about betrayal, murder, and mayhem: from Hammett’s 1925 tour de force “The Scorched Face,” in which the disappearance of two sisters leads Hammett’s never-named detective, the Continental Op, straight into a web of sexual blackmail amidst the West Coast elite, to Ed Gorman’s 1992 “The Long Silence After,” a gripping and powerful rendezvous involving a middle class insurance executive, a Chicago streetwalker, and a loaded .38. Other delectable contributions include “Brush Fire” by James M. Cain, author of The Postman Always Rings Twice, Raymond Chandler’s “I’ll Be Waiting,” where, for once, the femme fatale is not blond but a redhead, a Ross Macdonald mystery starring Macdonald’s most famous creator, the cryptic Lew Archer, and “The Screen Test of Mike Hammer” by the one and only Mickey Spillane. The hard-boiled cult has more in common with the legendary lawmen of the Wild West than with the gentleman and lady sleuths of traditional drawing room mysteries, and this direct line of descent is on brilliant display in two of the most subtle and tautly written stories in the collection, Elmore Leonard’s “3:10 to Yuma” and John D. MacDonald’s “Nor Iron Bars.” Other contributors include Evan Hunter (better known as Ed McBain), Jim Thompson, Helen Nielsen, Margaret Maron, Andrew Vachss, Faye Kellerman, and Lawrence Block. Compellingly and compulsively readable, Hard-Boiled: An Anthology of American Crime Stories is a page-turner no mystery lover will want to be without. Containing many notable rarities, it celebrates a genre that has profoundly shaped not only American literature and film, but how we see our heroes and ourselves.

One of the most acclaimed suspense writers of our time in a brand new collection.

In a career that has spanned three decades, and won critical attention and respect, Bill Pronzini has created the “Nameless Detective” novels, which Booklist has called “an American treasure.”

But Pronzini created a number of other characters as well, particularly back when he was still writing a great deal for crime and suspense magazines.

Sleuths collects the best of these stories and characters — from the noirish adventurers of Dan Connell and Carmody; to the western-era detectives Fergus O’Hara and Carpenter; to four “Nameless” stories.

Readers and collectors alike will want this book for their keeper shelves. This is prime Pronzini.

The best-selling mystery writer Lawrence Block proves his point with the twenty outstanding stories he has chosen for this volume. For fans of the traditional mystery, there’s T. Jefferson Parker’s “Easy Street,” in which a brother’s visit uncovers family secrets. In Jeremiah Healy’s “A Book of Kells,” a detective draws on his Irish heritage to solve a crime. And in Clark Howard’s “Under Suspicion,” a detective’s investigation of the murder of his best friend’s daughter hits too close to home.

However, many of the stories are concerned more with the personalities and motives surrounding the crime than with the crime itself. In Joyce Carol Oates’s “The Girl with the Blackened Eye,” we see a crime from the young victim’s point of view. Jennifer Anderson’s “Things That Make Your Heart Beat Faster” examines the hardships one rookie cop endures while solving her first crime. And in Thomas Lynch’s “Blood Sport,” a young mortician faces the gruesome job of preparing a murdered friend for her funeral.

As Block says: “Three things struck me about the stories in this year’s collection — their range, their variety, and their exceptionally high quality. Crime fiction has always been a broad and inclusive field, but these stories epitomize its breadth, running from the literary to the retro-pulp. The field has always showcased new talent, and a full two thirds of this year’s winners are by writers previously unknown to me. I’ve been reading short crime for half a century, and writing it for almost that long, and I’m still blown away by how very fine these stories are.”

In Double, the “Nameless Detective” and Sharon McCone — reunited at a private eye convention in sunny San Diego — team up to tangle with kinky lifestyles, double dealing and multiple murder. When Elaine Picard, head of security at the posh Casa del Rey hotel and an old friend of Sharon’s, falls to her death from a hotel tower, “Nameless” is a distant witness. And when McCone’s zealous pursuit of clues lands her in jail, it’s “Nameless” who posts bail. While Sharon continues to risk her life trying to unravel the mystery of Elaine’s death, “Nameless” puts his own on the line investigating the odd disappearance of a little boy and his mother who’ve vanished from the Casa del Rey without a trace. The two detectives are swiftly drawn into a treacherous maze of past duplicity and present danger.

The action races from the Casa del Rey to an ominous menagerie in the hills outside of town, a pornographic curio shop, a political campaign headquarters, a villa on the Mexican seacoast, and an isolated desert mansion with a strange history that belies its even more bizarre current goings on.

Double is a crackling and complex thriller from two premier mystery writers.

Beyond the wrought-iron gates and behind the stuccoed facades of the Spanish-style houses in the affluent California community of Greenwood, a murderous maze of deceit, adultery, fraud, and betrayal awaits the private eye hailed by the Chicago Sun-Times as “the thinking man’s detective” in this ingeniously contrived mystery novel by two-time Shamus award-winner Bill Pronzini.

Not that larceny among the rich comes as a surprise to “Nameless.” Indeed, even before he visits the handsomely appointed offices of the blond, tanned insurance agent Rich Twining and the estate where the recently widowed Sheila Hunter lives uneasily with her wary ten-year-old daughter, the private investigator’s darker suspicions have been aroused. For why would anyone, no matter how moneyed and beautiful and bereaved, refuse to claim fifty thousand dollars due to her in life insurance?

The question is simple enough. The answer, though, lies several murders, many miles, ten years, a deviously contrived name game, and one baffling word clue — crazybone — away.

A collection of stories

In this Spur Award-winning story, a Pinkerton detective, a couple on the run, a wanted man, and a traveling salesman with mysterious wares all converge on the banks of Crucifixion River to take shelter from an impending storm.

No suspense collection is complete without this anthology. Originally published in Ellery Queen’s Mystery Magazine, the stories in this volume represent many of the biggest names in detective and suspense fiction: Ellery Queen, Harold Q. Masur, Celia Fremlin, Jack Ritchie, Patricia Highsmith and Bill Pronzini are only a few of the prize-winning authors in this amazing volume.

An empty train yard at midnight. A small cabin bathed in the light of a full moon. A seedy Skid Row hotel in San Francisco. These are the places where fear lives. Collected for the first time are 26 terrifying stories that span nearly three decades in the career of this master writer of suspense and horror.

Business is booming for Nameless; he's started in on three new cases in one week. But every single one of them turns bad some way. In the first, a husband disappears from a car that Nameless has been following. In the second, a woman is mysteriously murdered while Nameless stands outside her bungalow. In the third, a valuable ring disappears from a locked room that Nameless has been guarding. The papers are full of bad publicity. After being at the scene of two homicides, everyone is suspicious of him. He is at risk of losing his PI license. At the same time, he recently proposed to the woman of his dreams and she is becoming more distant from him every day. Scattershot presents more questions than answers in its exciting conclusion. The eighth novel in the Nameless Detective series.

"Pronzini is the master of the shivery, spine-tingling it-could-happen suspense story."

—Publishers Weekly

"Pronzini is a pro."

—The New York Times

Abducted by a shadowy figure he never sees, chloroformed and taken to a remote mountain cabin, the Nameless Detective is told by that figure before he is deserted, that the mission is one of revenge. Nameless has destroyed his mysterious abductor’s life and now his life in turn will be destroyed.

Chained with a limited supply of food and water and just enough room in the shackles to allow him to feed himself, Nameless knows that the abductor must be a component of one of his old cases… someone who he has tracked and caught for the police, someone who has served prison time and, released, wants Nameless to suffer in turn. But the detective cannot deduce who that abductor may be and, as his ordeal begins, he understands that his efforts must be more directed toward survival and escape; if he does not find a way free of the shackles he will die. Freeing himself of the shackles will involve more than an act of physical escape; Nameless must come to understand the entirety of his own life and the nature of a profession which has caused him and those he loves risk at the highest level.

Through the Walpurgisnacht of that confinement and escape, Nameless does indeed come to understand himself and in a shocking, complex, surprising but inevitable ending, Nameless comes to understand as well the nature of entrapment and purgation, and how a rite of passage must crucially take place internally as well as externally. The denouement of the novel is resonant and shattering: it is unforgettable.

Shaken after a hair’s-breadth escape from death, Nameless has made changes in his professional life, but he’s not put himself out to pasture. Again he enters San Francisco’s shadowy underworld, this time in a search for the identity of a gentle, mentally disturbed homeless man who has been found dead in an alley doorway. Clues are few, but eventually they bring the Nameless Detective to the small California town that drove the nameless victim tragically to murder and madness.

A best-selling novelist and Edgar Award winner, Lisa Scottoline brings her mastery of the thriller genre as well as her wit and heart to this collection of the must-reads in mysteries.

"The Body Snatchers Affair: " The latest in the Carpenter and Quincannon historical mystery series from Marcia Muller and Bill Pronzini.

Two missing bodies and two separate investigations take Carpenter and Quincannon from the heights above San Francisco Bay to the depths of Chinatown's opium dens.

For John Quincannon, this is a first: searching a Chinatown opium den for his client's husband, missing in the middle of a brewing tong war set to ignite over the stolen corpse of Bing Ah Kee.

Meanwhile, his partner, Sabina Carpenter, unsure of the dark secrets her suitor might be concealing, searches for the corpse of a millionaire, stolen from a sealed family crypt and currently being held for ransom.

With the threat of a tong war hanging over the city (a war perhaps being spurred on by corrupt officials), Carpenter and Quincannon have no time to lose in solving their cases. Is there a connection between the two body snatchers? Or is simple greed the answer to this one?

And why is the enigmatic Englishman who calls himself Sherlock Holmes watching so carefully from the shadows?

An anthology of stories

A new anthology of twenty-nine short stories features an array of baffling locked-room mysteries by Michael Collins, Bill Pronzini, Susanna Gregory, H. R. F. Keating, Peter Lovesey, Kate Ellis, and Lawrence Block, among others.

From the likes of Robert Randisi, Peter Crowther, and Max Rittenberg, these 30 stories of bizarre and impossible crimes will fascinate and intrigue the reader who grapples with their intricate puzzles. A man alone in an all-glass phone booth, visible on CCTV and with no one near him, is killed by an ice pick. A man sitting alone in a room is shot by a bullet fired only once – over 200 years ago. A man enters a cable-car alone, and is visible for the entire journey, only to be found dead when he reaches the bottom. A man receives mail in response to letters apparently written by him – after his death. The Mammoth Book of Perfect Crimes and Impossible Mysteries is a stunning collection of brand new and previously unpublished stories, as well as many stories from rare mystery journals appearing for the first time in book form.

A scintillating new thriller by one of the masters of the genre, following his Grand Master Award from the Mystery Writers of America.

'When Geena finally left him and filed for divorce, Fallon put the Encino house up for sale and took the last two weeks of his vacation from Unidyne. Then he loaded the Jeep Liberty and drove straight to Death Valley. The desert country had a way of simplifying things. It cleansed your mind, allowed you to think clearly. Allowed you to breathe. The one place he truly belonged.'

So opens Bill Pronzini's exciting new thriller. On his third day in the Valley, Rick Fallon comes upon a deserted Toyota Camry, and soon thereafter, the almost-dead body of Casey Dunbar. Having rescued her, Fallon soon learns what had driven her to give up on life.and, his own life on hold, he resolves to unravel the twisted and dangerous strands of hers, a quest that leads him to the glitter-dome of Las Vegas among other locales. The result is a story as dramatic and memorable as anything Pronzini has written, reminiscent of his classics Blue Lonesome and A Wasteland of Strangers. In The Other Side of Silence, Bill Pronzini is indeed a Grand Master.

Hillerman, author of the Joe Leaphorn mysteries, and Herbert, editor of The Oxford Companion to Crime and Mystery Writing, trace this short-story genre from its beginnings in the hands of Edgar Allen Poe through its development by the likes of Erle Stanley Gardner, Mary Roberts Rinehart and Anthony Boucher to its current practice by such masters as Marcia Muller. Poe's "The Murders in the Rue Morgue," which established a great many of the whodunit conventions, is indispensable to such an overview. Raymond Chandler's "I'll be Waiting" emits a doom-laden atmosphere right from the first line; William Faulkner shows unexpected economy of language?and a transparent plot?in "An Error in Chemistry." Ed McBain scores high marks in "Small Homicide," in which the tiny details of a baby's untimely death resonate uncomfortably. As represented in this competent, unstartling collection, Linda Barnes ("Lucky Penny") easily outsasses Sue Grafton ("The Parker Shotgun"). Hillerman makes a solid appearance with "Chee's Witch," and in "Benny's Space" Muller captures the full subtle force of her novel-length vision.

In 1895 San Francisco young debutantes don’t commit suicide at festive parties, particularly not under the eye of Sabina Carpenter. But Virginia St. Ives evidently did, leaping from a foggy parapet in a shimmer of ghostly light. The seemingly impossible disappearance of her body creates an even more serious problem for the firm of Carpenter and Quincannon, Professional Detective Services.

Sabina hadn’t wanted to take the assignment, but her partner John Quincannon insisted it would serve as entrée to the city’s ultra rich and powerful. That means money, and Quincannon loves the almighty dollar. Which is why he is hunting the bandit who robbed the Wells, Fargo office of $35,000.

Working their separate cases (while Sabina holds John off with one light hand), the detectives give readers a tour of The City the way it was. From the infamous Barbary Coast to the expensive Tenderloin gaming houses and brothels frequented by wealthy men, Quincannon follows a danger-laden trail to unmask the murderous perpetrators of the Wells, Fargo robbery. Meanwhile, Sabina works her wiles on friends and relatives of the vanished debutante until the pieces of her puzzle start falling into place. But it’s an oddly disguised gent appearing out of nowhere who provides the final clue to both cases — the shrewd “crackbrain” who believes himself to be Sherlock Holmes.

Fans of Marcia’s Muller’s bestselling Sharon McCone novels and Bill Pronzini’s Nameless Detective series will applaud The Spook Lights Affair and future exploits from the annals of Carpenter and Quincannon, Professional Detective Services.

His name was Roy Sands, and he had everything to look forward to. He was getting out of the service and coming home to marry his beautiful Fiancee. He had his debts paid, money in the bank, and a happy new life ahead of him. Then he disappeared.

When Nameless is hired by Cory Beckett, a beautiful young woman who claims to be a model, to find her missing brother, Kenneth, it seems to be a routine matter. Kenneth has fled San Francisco in a drug-induced panic to avoid trial on a charge of stealing a valuable necklace from the alcoholic wife of the man for whom he works, wealthy yachtsman Andrew Vorhees. When agency operative Jake Runyon locates and questions the frightened young man, Cory Beckett's motives come into question and the case takes on darkly sinister complexities.

Cory lied to Nameless about her livelihood, her relationship with Vorhees, her brother's alleged drug use, and the nature of his alleged crime. Not only is she Andrew Vorhees' mistress, Cory has a secret second lover, factory owner Frank Chaleen, with whom she conspired to frame Kenneth. This bizarre sibling betrayal is part of a diabolical plan that reveals her to be a deadly, designing woman who will stop at nothing to achieve her warped desires.

A series of twists and turns drive the story to a truly shocking climax. For not until then do the detectives realize how devilish Cory Beckett really is, a femme fatale who has brought something new to the species – new, and terrible.

Bill Pronzini's Vixen is the latest in the Nameless Detective series, the longest-running P.I. series currently in print.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.